Fashioning Identity in the Age of Representation

Exhibition + Research Symposium

This exhibition is crafted to explore the role of the Cultural Producer—particularly the music producer, makeup artist (MUA), stylist, and creative director—as a key architect in shaping the image of women in rap, with a focus on Black women. It examines how these figures collaborate to construct stage personas that drive marketing and sales, while simultaneously influencing broader fashion and beauty standards.

Our research centers on the paradox of visibility: while female rappers have become highly visible figures in popular culture, their representations are often carefully crafted performances designed to appeal to consumer markets. These portrayals are frequently mistaken for authentic self-expression, yet they are heavily mediated by industry gatekeepers. The work interrogates how these constructed identities are consumed and emulated by audiences, particularly Black women, who look to these artists for both cultural representation and beauty inspiration. However, the narratives built around these artists often prioritise spectacle over substance, creating a tension between empowerment and exploitation.

Does the visibility of Black women in rap truly reflect their lived realities, or has their image been fictionalised through the lens of the cultural producer? We want this exhibition to highlight the critical need to unpack the production process behind the aesthetics of rap, and its powerful impact on fashion and beauty ideologies. Ultimately, contributing to discussions around authenticity, agency, and the commodification of Black femininity in contemporary visual culture.

Call for Artists & Papers

We invite artists, designers, performers, scholars, and creative thinkers to submit work for inclusion in a groundbreaking exhibition and symposium exploring the role of cultural producers in shaping representations of Black women through fashion, beauty, and music. This project interrogates the aesthetics of performance, the construction of selfhood, and the tension between authenticity and commodification in visual culture.

We welcome submissions from:

  • Visual artists, fashion designers, stylists, MUAs, photographers, filmmakers

  • Scholars and researchers in cultural studies, fashion studies, media, music, gender studies, sociology, and marketing

  • Multidisciplinary collaborations and practice-based research

Key themes may include (but are not limited to):

  • Cultural production as self-actualisation and resistance

  • The role of music producers, stylists, MUAs, and creative directors in image-making

  • Black women's fashion and beauty as sites of agency and storytelling

  • Representation vs. performance: authenticity, commodification, and control

  • Cultural hybridity and diasporic identity (drawing on Bhabha’s “third space”)

  • The politics of visibility in fashion, media, and celebrity culture

  • Digital culture, hyper-visibility, and the gaze in the era of Instagram and viral fame

  • Appropriation, exploitation, and power in the aesthetics of rap and fashion

  • Gendered and racialised reception of artistic and performative expression

  • Fashion as a visual archive of Black cultural narratives

Submission Deadline: 15 November 2025
Format: Submit a 300-word abstract or artist statement + images or work samples
Email submissions to: artistsubmissions@theculturalproducer.com
Location: London
Dates of Exhibition/Symposium: October 2026

Contact Us

To submit your abstract or artist statement, please email us at artistsubmissions@theculturalproducer.com

Please let us know if you have any queries.